Similar to the original version, Oz the Great starts out in black and white. In this state, we meet womanizing circus magician Oz (James Franco). Confronted by an enraged fellow circus mate, it’s clear that he has seduced one too many women. Luckily Oz narrowly escapes in a hot air balloon but he meets trouble when he’s pulled into a tornado. After lots of empty prayers, Oz lands in … well … Oz. Enter Technicolor and Theodora the Good Witch (Mila Kunis) donned in tight leather pants and knee-high boots (Sidebar: Who’s idea was this get-up? Make no mistake, she looked great, but this was the most out of place looking wardrobe selection in fairytale land.) It doesn’t take long for Oz to work his charm on her to the point where she’s convinced that he’s the prophesized “Wizard” or King of Oz. Clinging to old ways, Oz accepts the title, but is met with suspicion from Theodora’s sister Evanora (Rachel Weisz). Just one little thing – to earn the claim and riches he must kill the Wicked Witch. With the help of a winged monkey and china girl, it could have been a short-lived movie. But it’s the jealously of Theodora that ignites the plot. When she suspects the love of Oz was an illusion, all hell breaks out.
Some gems of the film include Michelle Williams’ performance. It was refreshing to see her in a light, whimsical role. Seeing her play the likes of Marilyn Monroe or in films like Blue Valentine was become daunting. Equally enjoyable were the roles Oz’ side-kicks Finley and china girl. The two digital creations brought engaging emotions to the screen.
Despite some slow moments and questionable acting by James Franco at times, the love triangle, visuals and updated sidekicks makes it a viable version for the ages.
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